Gratiano and others restrain Iago while Emilia shouts out the terrible truth: That voice then speaks to Othello: The next line of the play is given to "All," who say, O heavens forfend!
For Iago and Othello, the lives of their wives meant less to them than their own honorable status. Othello ultimately kills Desdemona because he loses his control of his passions. Vehemently she demands that Iago prove Othello a liar. Because of his insecurity, it was easier for him to think that she was making a fool of him rather than giving her the benefit of the doubt.
Proud, noble, and brave warrior Othello is well respected and his military skills and adventures are widely known. Emilia asks what that was, and Othello again pretends total ignorance.
For a few moments Othello has been pretending ignorance and surprise, as though he wanted to get away with the murder of his wife. She gives him status and the honor he wants. When Desdemona refused to confess to anything, Othello said "O perjured woman! Protected by military fortifications as well as by the forces of nature, Cyprus faces little threat from external forces.
Naturally, this angers Othello, who makes a gesture -- perhaps puts a hand on his sword -- that Emilia takes to be threatening.
And hold her free, I do beseech your honour. These women would have done anything asked of them, especially when it comes to their husbands honor. Iago is a puppet-master and Othello now dangles on his strings. He tells her to come in, but then tells her to wait.
At the mention of the handkerchief, Emilia bursts out, "O God! She says, "I will not charm my tongue; I am bound to speak: Then she calls him three kinds of fool, and swears that she will make his crime known, which she immediately proceeds to do by shouting "Help!
Iago frequently speaks in soliloquies; Othello stands apart while Iago talks with Cassio in Act IV, scene i, and is left alone onstage with the bodies of Emilia and Desdemona for a few moments in Act V, scene ii; Roderigo seems attached to no one in the play except Iago.
Gratiano, thinking that Othello has no weapon, opens the door, only to find himself face-to-face with an armed Othello.
Moreover, she is unperturbed by the tempest or Turks that threatened their crossing, and genuinely curious rather than irate when she is roused from bed by the drunken brawl in Act II, scene iii.
The subplot in which Iago gets Cassio drunk and causes him to humiliate himself, also indicates the importance of "reputation, reputation, reputation. Perhaps the insult is also racist, and she means that Othello is filthy because he is black.
At the same time, Iago, of necessity always standing apart, falls prey to his own obsession with revenge. Iago is an expert at manipulating the distance between characters, isolating his victims so that they fall prey to their own obsessions.
Othello strangles Desdemona because of imagined infidelity, which makes him look like a fool.
He still only focuses on himself. He says that he told Othello what they both thought was true, that Desdemona was false. Now that she is dead, he feels that a great darkness should descend from an eclipse of the sun and moon, and that the earth, seeing this "alteration" should split open.
Of course, the question is why he believes Iago and doubts his wife. He blames Iago, exclaiming, "O cursed, cursed slave! Emilia asks her who has done this to her, and Desdemona answers, "Nobody; I myself. Trying to recover himself, Othello declares "O, she was foul! Othello says, "She is protectress of her honour too: Iago-the spider-has Othello-the fly-trapped in his web of deceit and jealousy.
Once Othello, Iago, Desdemona, Emilia, and Roderigo have come to Cyprus, they have nothing to do but prey upon one another. Four times she asks if her husband said that Desdemona was an adulterer, and each time Othello answers that he did.
Othello sees Desdemona giving up everything to be with him."What is left when honor is lost?" This maxim from first century BC plays a pivotal role in Shakespeare’s play Othello. The question serves as a basis for the struggle between Othello and Iago.
Both men are engaged in a battle over Othello’s honor. Iago is intent on destroying Othello’s. The True Beast in Othello "What is left when honor is lost?" This maxim from first century BC plays a pivotal role in Shakespeare’s play Othello. In the play Iago uses dishonor as a great insult used to provoke Othello.
Iago tries to agitate Othello by saying that Barbantio "spoke such scurvy and provoking terms / against [his] honor" (ultimedescente.com,). Analysis of Othello: Man’s Honor The main male characters in Shakespeare’s play Othello kill their wives in order to defend their own honor.
In the period setting of the play, to show honor, women are expected to be subservient to their husbands. Detailed Summary of Othello, Act 5, Scene 2 Desdemona will revive enough to proclaim her innocence and say farewell to Othello, which brings up an interesting question for the reader of the play.
What did Othello do to hasten Desdemona's death, and how could she have briefly revived from whatever he did? Othello is lost in his. Before and above all else, Othello is a soldier.
From the earliest moments in the play, his career affects his married life. all Venetians respect and honor him as a soldier. Mercenary Moors were, in fact, commonplace at the time.
Once the Turks are drowned—by natural rather than military might—Othello is left without anything to do.Download